{"id":2302,"date":"2011-05-15T17:41:23","date_gmt":"2011-05-15T15:41:23","guid":{"rendered":"http:\/\/www.paris-louxor.fr\/?p=2302"},"modified":"2011-05-15T17:41:23","modified_gmt":"2011-05-15T15:41:23","slug":"cannes-2011-la-vraie-disparition-delisabeth-taylor","status":"publish","type":"post","link":"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/15\/cannes-2011-la-vraie-disparition-delisabeth-taylor\/","title":{"rendered":"CANNES 2011 : LA VRAIE DISPARITION D’ELISABETH TAYLOR"},"content":{"rendered":"

Apr\u00e8s Theda Bara, Cannes est l’occasion id\u00e9ale pour retrouver Elisabeth Taylor, l’embl\u00e9matique Cl\u00e9op\u00e2tre de Mankiewicz, disparue en mars dernier, \u00e0 moins que ce soit en mai..<\/p>\n

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\u00ab\u00a0Si un simulacre pr\u00e9sentait tous les traits du simulacre, il s\u2019abolirait comme simulacre, du moment m\u00eame o\u00f9 il atteindrait la perfection mim\u00e9tique<\/em>\u00a0\u00bb (Marc Angenot)<\/p>\n<\/blockquote>\n

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En 1955, le sociologue Edgar Morin explique avec justesse qu’\u00e0 Cannes, on vient mesurer l’\u00e9cart entre ce que sont les stars dans la vraie vie et les ic\u00f4nes que le cin\u00e9ma fait d’elles. Mais il faut imaginer que les choses vont souvent plus loin. L’amour du cin\u00e9ma, la cin\u00e9philie prennent ici des formes bien plus prononc\u00e9es. Et, un Morin qui reviendrait aujourd’hui pourrait fort bien mesurer la notori\u00e9t\u00e9, la force de l’image des stars dans ce que les spectateurs s’approprient desdites stars. Dans l’euphorie du lieu, on joue \u00e0 exister, on joue sur l’image et il n’est pas rare de distinguer ici ou l\u00e0 des passions cin\u00e9philiques qui s’expriment dans des tentatives d’emprunt d’images et de simulacres. Parmi les festivaliers, des sosies plus ou moins r\u00e9ussis recherchent \u00e0 Cannes ce qui n\u2019y est jamais d\u00e9livr\u00e9 : bien plus qu\u2019une identit\u00e9 de spectateur ou de cin\u00e9phile, une identit\u00e9 sociale qui se confondrait avec la fiction cin\u00e9matographique dont la manifestation fait \u00e9talage. Au demeurant, dans ce jeu d’images, l’on se pr\u00eate toujours \u00e0 confondre des reflets plus ou moins feints de Catherine Deneuve. Il en va de m\u00eame pour Faye Dunaway<\/span><\/p>\n

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L’actrice \u00e9tait \u00e0 Cannes pour pr\u00e9senter ce 12 mai, Portrait d’une enfant d\u00e9chue <\/em>de Jerry Schatzberg (1970) dans une copie restaur\u00e9e. Copie restaur\u00e9e. Le film a eu beaucoup de mal \u00e0 d\u00e9marrer pour cause de probl\u00e8mes de son. La copie neuve crachotait… Probl\u00e8me de passage au num\u00e9rique,… Bref… Les spectateurs au troisi\u00e8me red\u00e9marrage du film manifestaient leur exasp\u00e9ration et avec une \u00e9l\u00e9gance sans pareil, Faye Dunaway se mit \u00e0 signer des autographes, histoire de faire patienter l’assistance. Face \u00e0 elle, un certain nombre de femmes qui, sans \u00eatre de francs sosies, affichaient, une m\u00eame coiffure, une m\u00eame douceur, une m\u00eame \u00e9l\u00e9gance dans la fa\u00e7on de se draper d’un ch\u00e2le. L’identit\u00e9 se portait l\u00e0 dans un style et une l\u00e9g\u00e8ret\u00e9. Cannes appelle cette question des identit\u00e9s reconstruites \u00e0 coups de petits scalpels identitaires touchants qui nous rappellent comment se fa\u00e7onnent normes et diff\u00e9rences. <\/span><\/p>\n

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Pour les sociologues habitu\u00e9s du Festival cependant, un constat est patent cette ann\u00e9e. En effet, depuis les origines du Festival, l’actrice qui se voyait la plus fr\u00e9quemment \u00ab\u00a0copi\u00e9e\u00a0\u00bb et \u00ab\u00a0co-pill\u00e9e\u00a0\u00bb \u00e9tait Elisabeth Taylor. Cannes pouvait ainsi compter parmi ses spectatrices quelques dizaines d’Elisabeth d\u00e9clin\u00e9es. Cette ann\u00e9e, elles ont toutes disparues. Impossible de retrouver un quelconque \u00e9clat myosotis dans les yeux de ces dames qui venaient ici vieillir avec leur idole. Lorsqu’une vraie star s’\u00e9teint, c’est aussi un mod\u00e8le qui s’\u00e9vanouit. Elle fait dispara\u00eetre avec elle toutes celles qui s’appuyaient sur son image pour exister. Et, quand bien m\u00eame un sosie d’Elisabeth Taylor serait l\u00e0 que nous ne le verrions pas. En sociologie, nous appelons cela un horizon d’attentes construit et reconstruit ind\u00e9finiment dans le regard de chacun d’entre nous, un regard, qui, de fait, sait aussi faire dispara\u00eetre ici de cet horizon celles et ceux dont nous savons fort bien qu’ils ne seront plus jamais au rendez-vous.<\/p>\n

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Retrouvez les articles du SOCIO-BLOG<\/strong> \/\/\/ 8 sociologues au Festival de Cannes : ici<\/a><\/strong> et l\u00e0<\/strong><\/a>
\nSous la direction d’Emmanuel Ethis, Universit\u00e9 d’Avignon et des Pays de Vaucluse
\n(Centre Norbert Elias, \u00e9quipe Culture et Communication)<\/p>\n

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\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s Theda Bara, Cannes est l’occasion id\u00e9ale pour retrouver Elisabeth Taylor, l’embl\u00e9matique Cl\u00e9op\u00e2tre de Mankiewicz, disparue en mars dernier, \u00e0 moins que ce soit en mai…<\/p>\n","protected":false},"author":22,"featured_media":2314,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,5],"tags":[117,241],"class_list":["post-2302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinemas-et-culture","category-festival-de-cannes-cinemas-et-culture","tag-festival-de-cannes","tag-sociologie"],"yoast_head":"\nCANNES 2011 : LA VRAIE DISPARITION D'ELISABETH TAYLOR - Paris-Louxor.fr<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CANNES 2011 : LA VRAIE DISPARITION D'ELISABETH TAYLOR - 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