{"id":2320,"date":"2011-05-16T12:32:21","date_gmt":"2011-05-16T10:32:21","guid":{"rendered":"http:\/\/www.paris-louxor.fr\/?p=2320"},"modified":"2011-05-16T12:32:21","modified_gmt":"2011-05-16T10:32:21","slug":"cannes-2011-les-apnees-cannoises","status":"publish","type":"post","link":"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/16\/cannes-2011-les-apnees-cannoises\/","title":{"rendered":"CANNES 2011 : LES APN\u00c9ES CANNOISES"},"content":{"rendered":"

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Salle du Soixanti\u00e8me - LL PARIS-LOUXOR<\/figcaption><\/figure>\n

A Cannes, les festivaliers mesurent, sans doute plus qu’ailleurs, ce que signifie vivre une exp\u00e9rience collective de cin\u00e9ma. Cet aspect collectif ne s’\u00e9value pas uniquement dans les sp\u00e9cificit\u00e9s du dispositif cannois, qui met en pr\u00e9sence tous les acteurs du cin\u00e9ma, depuis les stars jusqu’aux spectateurs en passant par les r\u00e9alisateurs, techniciens, producteurs, critiques, etc. Etre un festivalier parmi d’autres ne se mesure pas non plus uniquement dans les proximit\u00e9s ou les distances que l’on entretient avec le monde du cin\u00e9ma, ou dans les sociabilit\u00e9s que l’on est susceptible de d\u00e9ployer avec ceux qui travaillent en amont ou en aval du film. Il s’agit \u00e9galement, pour ne pas dire surtout, de faire l’exp\u00e9rience, pendant la s\u00e9ance, de ce qu’est \u00eatre un spectateur parmi d’autres, visionnant un film dont on ne sait pas grand chose.<\/p>\n

Etre spectateur \u00e0 Cannes, c’est d’abord acc\u00e9der (ou esp\u00e9rer le faire) \u00e0 une salle et \u00e0 un \u00e9cran aux dimensions \u00e0 couper le souffle. La s\u00e9rie de rites et de filtres ayant pr\u00e9c\u00e9d\u00e9 l’acc\u00e8s \u00e0 cette salle entretient d\u00e9j\u00e0 la contradiction entre la masse et l’individu (longues files d’attentes mais contr\u00f4le individualis\u00e9 des acc\u00e8s, mont\u00e9e des marches donnant le sentiment d’\u00eatre un privil\u00e9gi\u00e9 au sein d’un groupe de privil\u00e9gi\u00e9s, accueil et placement personnalis\u00e9s). Mais le fait de prendre place au milieu de si nombreux spectateurs donne un peu le tournis\u00a0: la bouff\u00e9e de cin\u00e9ma que l’on s’appr\u00eate \u00e0 prendre ne sera-t-elle pas pollu\u00e9e par la pr\u00e9sence d’autant de participants ? Parviendra-t-on \u00e0 faire abstraction des autres et de leurs r\u00e9actions parfois bruyantes \u00e0 ce qui se passe \u00e0 l’\u00e9cran pour profiter pleinement de la projection ?<\/p>\n

Pourtant, lorsque le film d\u00e9bute et que le silence se fait dans la salle, il se produit parfois \u00e0 Cannes un de ces rares moments permettant de mieux saisir, aux c\u00f4t\u00e9s des autres, ce qui fait la force du cin\u00e9ma : pouvoir vivre de fa\u00e7on collective des \u00e9motions intimes. Il arrive en effet que l’on entende les autres spectateurs retenir leur souffle. Puis expirer longuement. De peur ou de soulagement. De tristesse ou de col\u00e8re. Entendre ces apn\u00e9es cannoises, seul au milieu de tant de festivaliers, traduit parfaitement ce qui fait l’essence d’un public. En entendant les autres, on finit par s’entendre soi, et \u00e0 prendre conscience de ce qui, en soi, r\u00e9agit \u00e0 ce qui se passe \u00e0 l’\u00e9cran. De la m\u00eame fa\u00e7on que l’on se rend compte du caract\u00e8re automatique de notre respiration lorsque celle-ci est perturb\u00e9e ou entrav\u00e9e, l’on prend, \u00e0 Cannes, conscience du caract\u00e8re profond\u00e9ment social de la condition de spectateur en s’entendant vivre le film au m\u00eame rythme que les autres. Et quand la lumi\u00e8re se rallume et que l’on quitte la salle dans la cohue, il arrive que le c\u0153ur batte un peu plus vite, non \u00e0 cause du film seul, mais parce que l’on a sentiment d’avoir v\u00e9cu une exp\u00e9rience collective.<\/p>\n

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Retrouvez les articles du SOCIO-BLOG<\/strong> \/\/\/ 8 sociologues au Festival de Cannes : ici<\/a><\/strong> et l\u00e0<\/strong><\/a>
\nSous la direction d’Emmanuel Ethis, Universit\u00e9 d’Avignon et des Pays de Vaucluse
\n(Centre Norbert Elias, \u00e9quipe Culture et Communication)<\/p>\n

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\n","protected":false},"excerpt":{"rendered":"

A Cannes, les festivaliers mesurent, sans doute plus qu’ailleurs, ce que signifie vivre une exp\u00e9rience collective de cin\u00e9ma. <\/p>\n","protected":false},"author":24,"featured_media":2321,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[117,241,245],"class_list":["post-2320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-de-cannes-cinemas-et-culture","tag-festival-de-cannes","tag-sociologie","tag-spectateurs"],"yoast_head":"\nCANNES 2011 : LES APN\u00c9ES CANNOISES - Paris-Louxor.fr<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CANNES 2011 : LES APN\u00c9ES CANNOISES - Paris-Louxor.fr\" \/>\n<meta property=\"og:description\" content=\"A Cannes, les festivaliers mesurent, sans doute plus qu'ailleurs, ce que signifie vivre une exp\u00e9rience collective de cin\u00e9ma.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/16\/cannes-2011-les-apnees-cannoises\/\" \/>\n<meta property=\"og:site_name\" content=\"Paris-Louxor.fr\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/paris.louxor\" \/>\n<meta property=\"article:published_time\" content=\"2011-05-16T10:32:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/paris-louxor.fr\/wp-content\/uploads\/2011\/05\/DSC00069.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"620\" \/>\n\t<meta property=\"og:image:height\" content=\"465\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier Zerbib\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@parislouxor\" \/>\n<meta name=\"twitter:site\" content=\"@parislouxor\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier Zerbib\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/16\/cannes-2011-les-apnees-cannoises\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/16\/cannes-2011-les-apnees-cannoises\/\"},\"author\":{\"name\":\"Olivier Zerbib\",\"@id\":\"https:\/\/paris-louxor.fr\/#\/schema\/person\/a24a4441fdfbd5851431bcd3551d80d5\"},\"headline\":\"CANNES 2011 : LES APN\u00c9ES CANNOISES\",\"datePublished\":\"2011-05-16T10:32:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/16\/cannes-2011-les-apnees-cannoises\/\"},\"wordCount\":598,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/paris-louxor.fr\/#organization\"},\"image\":{\"@id\":\"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/16\/cannes-2011-les-apnees-cannoises\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/paris-louxor.fr\/wp-content\/uploads\/2011\/05\/DSC00069.jpg\",\"keywords\":[\"Festival de Cannes\",\"Sociologie\",\"Spectateurs\"],\"articleSection\":[\"Festival de Cannes\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/16\/cannes-2011-les-apnees-cannoises\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/16\/cannes-2011-les-apnees-cannoises\/\",\"url\":\"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/16\/cannes-2011-les-apnees-cannoises\/\",\"name\":\"CANNES 2011 : LES APN\u00c9ES CANNOISES - 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