{"id":2327,"date":"2011-05-17T12:43:02","date_gmt":"2011-05-17T10:43:02","guid":{"rendered":"http:\/\/www.paris-louxor.fr\/?p=2327"},"modified":"2011-05-17T12:43:02","modified_gmt":"2011-05-17T10:43:02","slug":"cannes-2011-longuer-attente-bonne-meprise","status":"publish","type":"post","link":"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/17\/cannes-2011-longuer-attente-bonne-meprise\/","title":{"rendered":"CANNES 2011 : LONGUE ATTENTE, BONNE MEPRISE"},"content":{"rendered":"
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Entr\u00e9e de la Salle Bazin - LL PARIS-LOUXOR<\/figcaption><\/figure>\n

Le Festival de Cannes choisit ses invit\u00e9s. Il s\u00e9lectionne les films auxquels il convie les festivaliers et d\u00e9termine le moment de la rencontre en d\u00e9livrant ses invitations \u00e0 des s\u00e9ances pr\u00e9cises. Cependant, il donne quelques libert\u00e9s aux spectateurs en autorisant, d’une part, une certaine latitude dans le choix de la projection (r\u00e9servation \u00e9lectronique ou demandes en aval), et d’autre part un acc\u00e8s \u00e0 certaines s\u00e9ances sur pr\u00e9sentation du badge d\u2019accr\u00e9ditation. Plus les festivaliers sont \u00e9loign\u00e9s du c\u0153ur du dispositif cannois incarn\u00e9 par le jury et les personnalit\u00e9s les plus influentes du cin\u00e9ma mondial (r\u00e9alisateurs, producteurs, programmateurs, distributeurs etc.), plus il leur faudra attendre en esp\u00e9rant rentrer dans la salle de projection. Entre \u00ab\u00a0acc\u00e8s de derni\u00e8re minute\u00a0\u00bb, \u00ab\u00a0s\u00e9ances du lendemain\u00a0\u00bb et autres \u00ab\u00a0s\u00e9ances sp\u00e9ciales\u00a0\u00bb, en effet, les possibilit\u00e9s de voir les films s\u00e9lectionn\u00e9s sont nombreuses, sous r\u00e9serve de s\u2019armer de patience et d\u2019accepter de faire la queue, sans certitude de voir le film esp\u00e9r\u00e9.<\/p>\n

Les professionnels du cin\u00e9ma, les journalistes ou les cin\u00e9philes accr\u00e9dit\u00e9s mais dont les fonctions ne justifient pas un acc\u00e8s r\u00e9gulier aux projections sont ceux qui alimentent le plus et le plus longuement les files d\u2019attente cannoises. En dehors des stars \u2013 soignant leur bronzage pour des motifs professionnels\u2013, on pourrait presque reconna\u00eetre ces \u00ab\u00a0spectateurs du troisi\u00e8me cercle\u00a0\u00bb, comme les d\u00e9signe Emmanuel Ethis, \u00e0 l\u2019intensit\u00e9 de leur bronzage. Moins l\u2019on dispose d\u2019invitations et plus l\u2019on attend sous le soleil cannois. Ce fait est d\u2019ailleurs ironiquement comment\u00e9 par l\u2019entourage du cin\u00e9phile qui le voit rentrer chez lui h\u00e2l\u00e9 alors qu\u2019il \u00e9tait cens\u00e9 passer plusieurs jours d\u2019affil\u00e9e dans des salles obscures.<\/p>\n

Dans ces conditions, choisir un film rev\u00eat une importance singuli\u00e8re. Lorsque l\u2019on sait devoir attendre une, deux, voire trois heures pour acc\u00e9der \u00e0 la salle, sans garantie d\u2019y parvenir, on prend soin de ne pas confier son destin de spectateur au hasard. Il arrive pourtant que l\u2019on se trompe de salle et que l\u2019on aille grossir les rangs de la mauvaise file. De fait, les signal\u00e9tiques du Festival de Cannes diff\u00e8rent notoirement de celles des salles de cin\u00e9ma classiques\u00a0: elles sont l\u00e0 pour trier les publics selon leur invitation ou accr\u00e9ditation et non pour les orienter vers la bonne salle. On entend donc r\u00e9guli\u00e8rement les v\u00e9t\u00e9rans cannois s\u2019assurer d\u2019\u00eatre au bon endroit avant de prendre place dans la file d\u2019attente. Les autres exp\u00e9rimentent plus r\u00e9guli\u00e8rement le fait de voir \u00e0 l\u2019\u00e9cran un film qu\u2019ils n\u2019attendaient pas.<\/p>\n

Or, lorsque l\u2019on paie le prix d\u2019une s\u00e9ance \u00e0 coups de soleil et d\u2019ampoules, il est rare que l\u2019on se r\u00e9solve \u00e0 quitter la salle. Pass\u00e9es les premi\u00e8res minutes d\u2019incertitude et de surprise, on finit par voir un film dont on ne sait rien (ou en tout cas peu de choses) et que l\u2019on avait \u00e9cart\u00e9 au profit d\u2019un autre. Il arrive m\u00eame que ce film plaise et reste grav\u00e9 plus durablement que d\u2019autres dans les souvenirs de ces spectateurs \u00e9tourdis, pr\u00e9cis\u00e9ment parce qu\u2019il restera marqu\u00e9 du sceau de la m\u00e9prise.<\/p>\n

Le Festival de Cannes r\u00e9ussit alors le tour de force d\u2019offrir plus de d\u00e9couvertes et de surprises aux spectateurs qui ont le moins de chance de voir les films auxquels ils s\u2019attendent. Rentrer de Cannes bronz\u00e9 et encore illumin\u00e9 d\u2019une projection inattendue est ce qui peut arriver de mieux \u00e0 un festivalier, quelle que soit sa place dans le monde du cin\u00e9ma. Au Festival de Cannes, les privil\u00e8ges se paient parfois au prix de la d\u00e9sillusion et du regret, et il n\u2019est pas rare d\u2019entendre ceux qui acc\u00e8dent le plus ais\u00e9ment \u00e0 un grand nombre de films regretter le temps o\u00f9 Cannes leur offrait le cadeau d\u2019un film sorti de nulle part. Ils n\u2019ont pas toujours \u00e0 l\u2019esprit que s\u2019ils ont avanc\u00e9 dans leur carri\u00e8re de spectateur en changeant de statut, le Festival n\u2019a pas pris une ride et r\u00e9serve toujours ses charmes inattendus \u00e0 ceux qui paient leur pr\u00e9sence au prix de l\u2019attente et du d\u00e9sir de cin\u00e9ma.<\/p>\n

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<\/span>\"\"<\/a><\/p>\n

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Retrouvez les articles du SOCIO-BLOG<\/strong> \/\/\/ 8 sociologues au Festival de Cannes : ici<\/a><\/strong> et l\u00e0<\/strong><\/a>
\nSous la direction d’Emmanuel Ethis, Universit\u00e9 d’Avignon et des Pays de Vaucluse
\n(Centre Norbert Elias, \u00e9quipe Culture et Communication)<\/p>\n

\n

\n","protected":false},"excerpt":{"rendered":"

Le Festival de Cannes choisit ses invit\u00e9s. Il s\u00e9lectionne les films auxquels il convie les festivaliers et d\u00e9termine le moment de la rencontre en d\u00e9livrant ses invitations \u00e0 des s\u00e9ances pr\u00e9cises. Cependant, il donne quelques libert\u00e9s aux spectateurs en autorisant, d’une part, une certaine latitude dans le choix de la projection (r\u00e9servation \u00e9lectronique ou demandes […]<\/p>\n","protected":false},"author":24,"featured_media":2328,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[117,241],"class_list":["post-2327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-de-cannes-cinemas-et-culture","tag-festival-de-cannes","tag-sociologie"],"yoast_head":"\nCANNES 2011 : LONGUE ATTENTE, BONNE MEPRISE - Paris-Louxor.fr<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CANNES 2011 : LONGUE ATTENTE, BONNE MEPRISE - Paris-Louxor.fr\" \/>\n<meta property=\"og:description\" content=\"Le Festival de Cannes choisit ses invit\u00e9s. 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