{"id":2471,"date":"2011-05-22T02:18:06","date_gmt":"2011-05-22T00:18:06","guid":{"rendered":"http:\/\/www.paris-louxor.fr\/?p=2471"},"modified":"2011-05-22T02:18:06","modified_gmt":"2011-05-22T00:18:06","slug":"cannes-2011-la-danse-de-la-vie","status":"publish","type":"post","link":"https:\/\/paris-louxor.fr\/index.php\/2011\/05\/22\/cannes-2011-la-danse-de-la-vie\/","title":{"rendered":"CANNES 2011 : LA DANSE DE LA VIE"},"content":{"rendered":"
\"\"<\/a>
Les corps dansent et ne se touchent pas - LL PARIS-LOUXOR<\/figcaption><\/figure>\n
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Le Palace n\u2019est pas une \u201cbo\u00eete\u201d comme les autres : il rassemble dans un lieu original des plaisirs ordinairement dispers\u00e9s : celui du th\u00e9\u00e2tre comme \u00e9difice amoureusement pr\u00e9serv\u00e9, jouissance de la vue ; l\u2019excitation du Moderne, l\u2019exploration de sensations visuelles neuves, dues \u00e0 des techniques nouvelles ; la joie de la danse, le charme des rencontres possibles. Tout cela r\u00e9uni fait quelque chose de tr\u00e8s ancien, qu\u2019on appelle la F\u00eate, et qui est bien diff\u00e9rent de la Distraction : tout un dispositif de sensations destin\u00e9 \u00e0 rendre les gens heureux, le temps d\u2019une nuit. Le nouveau, c\u2019est cette impression de synth\u00e8se, de totalit\u00e9, de complexit\u00e9 : je suis dans un lieu qui se suffit \u00e0 lui-m\u00eame.<\/p>\n

Roland Barthes, \u00ab Au Palace ce soir \u00bb in Vogue Hommes,1978<\/p>\n<\/blockquote>\n

Cannes est une mythologie mondialis\u00e9e et l\u2019ensemble m\u00eame des mythes qui la composent forment eux-m\u00eames une cosmologie\u00a0: un monde en soi. Cannes est en effet un lieu qui se suffit \u00e0 lui-m\u00eame et qui ne s\u2019int\u00e9resse pas au reste du monde. Cannes, objet de tous les regards m\u00e9diatiques, lieu de l\u2019exhibition cin\u00e9matographique poss\u00e8de cependant ses endroits suspendus qui permettent \u00e0 ceux qui s\u2019y retirent de pouvoir mieux retourner dans le cours du monde\u2026 cannois. Il en va ainsi du Magic Garden<\/em> o\u00f9 l\u2019accueil s\u2019accompagne d\u2019une pr\u00e9vention \u00e9nonc\u00e9e avec un sourire clair.\u00a0On ne prend pas de photo dans le b\u00e2timent. Pendant un temps, il y a de cela une quinzaine d\u2019ann\u00e9es, le service de presse y \u00e9tait install\u00e9 en journ\u00e9e et la Cit\u00e9 de la peur<\/em> film parodique du Festival de Cannes en avait fait sa bo\u00eete de nuit. Jouxtant le Palais des Festivals, il faut, pour y acc\u00e9der, passer par le Casino. On voit ici une continuit\u00e9 protocolaire entre plusieurs mondes qui imposent une m\u00eame tenue vestimentaire et des corps.<\/p>\n

Sur la piste du Magic Garden<\/em>, les corps dansent et ne se touchent pas. Une distance protocolaire est maintenue. Une culture des corps diff\u00e9rente selon le genre mais aussi le pays, la g\u00e9n\u00e9ration\u2026 Dans un ouvrage intitul\u00e9 La danse de la vie<\/em>, Edward T. Hall s\u2019int\u00e9resse aux r\u00e8gles int\u00e9rioris\u00e9es, et non verbales. En effet, conna\u00eetre ces r\u00e8gles doit permettre d\u2019\u00e9viter des incidents, des conflits. Sur la piste de danse du Magic Garden<\/em>, les corps ne se touchent pas, mais une impression harmonieuse se d\u00e9gage. Il n\u2019y a pas pourtant pas d\u2019effet chor\u00e9graphique. Dans l\u2019espace r\u00e9duit de la piste se rejoue m\u00e9tonymiquement la danse cannoise\u00a0o\u00f9 la diversit\u00e9 des rythmes culturels doit \u00eatre pr\u00e9serv\u00e9e et o\u00f9 chaque danseur doit pouvoir trouver sa place. Edward T. Hall par l\u2019entr\u00e9e du rythme parlerait d\u2019une synchronie entre des \u00e9l\u00e9ments h\u00e9t\u00e9rog\u00e8nes et parfois oppos\u00e9s. Il n\u2019y a pas de chef d\u2019orchestre sur la piste. La musique, construit ici ce qu\u2019Edward T. Hall\u00a0 nomme un consensus rythmique constitutif de la culture profonde d\u2019un peuple.\u00a0 C\u2019est \u00e0 cette condition que le Festival peut rester une tour de Babel avec, plus qu\u2019une langue commune, un rythme commun.<\/p>\n

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<\/span>\"\"<\/a><\/p>\n

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Retrouvez les articles du SOCIO-BLOG<\/strong> \/\/\/ 8 sociologues au Festival de Cannes : ici<\/a><\/strong> et l\u00e0<\/strong><\/a>
\nSous la direction d’Emmanuel Ethis, Universit\u00e9 d’Avignon et des Pays de Vaucluse
\n(Centre Norbert Elias, \u00e9quipe Culture et Communication)<\/p>\n

\n

\n","protected":false},"excerpt":{"rendered":"

Sur la piste du Magic Garden, les corps dansent et ne se touchent pas. 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