{"id":4041,"date":"2012-05-26T22:54:31","date_gmt":"2012-05-26T20:54:31","guid":{"rendered":"http:\/\/www.paris-louxor.fr\/?p=4041"},"modified":"2012-05-26T22:54:31","modified_gmt":"2012-05-26T20:54:31","slug":"cannes-2012-lenfance-handicapee","status":"publish","type":"post","link":"https:\/\/paris-louxor.fr\/index.php\/2012\/05\/26\/cannes-2012-lenfance-handicapee\/","title":{"rendered":"CANNES 2012. L’ENFANCE HANDICAP\u00c9E"},"content":{"rendered":"

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A l’Office de tourisme de la ville de Cannes, il y a quelques ann\u00e9es, John avait laiss\u00e9 un petit mot sur le livre d’or. De ces livres que l’on trouve dans la plupart des offices de tourisme et qui donnent l’occasion aux visiteurs de laisser leurs t\u00e9moignages, une trace de leur passage.
\nA l’\u00e9poque John \u00e9tait avec son fr\u00e8re pour leur tout premier Festival. John avait seulement 15 ans et pas d’accr\u00e9ditation. Arm\u00e9s d’un peu de patience et de beaucoup de culot, r\u00eavant tout deux d’un avenir cin\u00e9matographique et venant \u00e0 peine de r\u00e9aliser leur premier film, John et son fr\u00e8re ne savaient pas trop comment mettre leur pr\u00e9sence \u00e0 Cannes \u00e0 profit pour promouvoir leur travail. Ils avaient finalement d\u00e9cid\u00e9 de laisser ce message : \u00ab www. amako-lefilm.em.gd. Allez voir, c’est mon film et celui de mon fr\u00e8re \u00ab 15 ans !!! \u00bb \u00bb sur le livre d’or.<\/p>\n

Mais pas celui qui tr\u00f4nait sur le pr\u00e9sentoir de l’Office de Tourisme. Non. Juste en dessous. Sur un petit \u00e9critoire o\u00f9 un autre \u00e9tait pos\u00e9 avec, sur sa couverture, l’inscription \u00ab d\u00e9di\u00e9 \u00e0 la client\u00e8le handicap\u00e9e et aux enfants \u00bb.
\nCette curieuse formule ne peut s’interpr\u00e9ter qu’en voyant l’installation. Plac\u00e9 plus bas, ce livre d’or l\u00e0 devenait alors accessible pour les enfants et… les personnes en fauteuil. John et son fr\u00e8re, se sentant encore beaucoup d’affinit\u00e9s avec le monde de l’enfance, ont d\u00e9cid\u00e9 d’assurer leur promotion sur celui-l\u00e0.<\/p>\n

Aujourd’hui de retour \u00e0 Cannes dans le cadre de ses \u00e9tudes, John entre dans l’Office de tourisme pour y acheter quelques souvenirs pour lui et ses proches. Fl\u00e2nant parmi les souvenirs, il se rem\u00e9more ses 15 ans et ce message laiss\u00e9 un peu au hasard. Mais le livre n’existe plus. A sa place un accueil d\u00e9di\u00e9 au public en situation de handicap et des questionnaires de satisfaction. Une fois sorti de l’Office de Tourisme, John repense \u00e0 cette formule d’un autre temps \u00ab d\u00e9di\u00e9 \u00e0 la client\u00e8le handicap\u00e9e et aux enfants \u00bb et s’interroge sur ce qui, au-del\u00e0 de la hauteur, a pu tant de maladresse :
\nEt si l’enfance \u00e9tait une situation de handicap ?
\nDe l’\u00e9critoire plac\u00e9 trop haut au fauteuil de cin\u00e9ma toujours trop grand, rien n’est \u00e0 leur mesure et leur acc\u00e8s d\u00e9pend syst\u00e9matiquement de la mise en place de proth\u00e8ses. Aujourd’hui les salles sont souvent \u00e9quip\u00e9es de r\u00e9hausseurs en plastique pour permettre aux plus jeunes de voir l’\u00e9cran tout entier.<\/p>\n

Le cin\u00e9ma comme exp\u00e9rience sociale pose particuli\u00e8rement la question de l’accessibilit\u00e9 de la salle. Mais pour les enfants, la question va au-del\u00e0 des am\u00e9nagements physiques. L’accessibilit\u00e9 se pense aussi en terme de comp\u00e9tences \u00e0 appr\u00e9cier ce qui se passe sur l’\u00e9cran. Le cin\u00e9ma n’a que tr\u00e8s peu d\u00e9velopp\u00e9 la notion d’\u00e2ge dans la cat\u00e9gorisation de ses publics. Et quand cette cat\u00e9gorisation intervient, elle est plus restrictive (interdit au mois de) que m\u00e9diatrice (adapt\u00e9 aux enfants de telle ou telle tranche d’\u00e2ge). Et si ces crit\u00e8res commencent \u00e0 appara\u00eetre dans certaines salles, dans les festivals cin\u00e9ma jeunesse ou sur des sites sp\u00e9cialis\u00e9s, John, lui, se demande si la construction d’une cin\u00e9philie ne passe pas, aussi, par l’inadaptation de l’environnement. Cet inconfort, cette frustration, participent peut-\u00eatre du d\u00e9sir de cin\u00e9ma et permettent ainsi la maturation d’une cin\u00e9philie qui se confirme quand, enfin, le fauteuil devient confortable.<\/p>\n

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A l’Office de tourisme de la ville de Cannes, il y a quelques ann\u00e9es, John avait laiss\u00e9 un petit mot sur le livre d’or. De ces livres que l’on trouve dans la plupart des offices de tourisme et qui donnent l’occasion aux visiteurs de laisser leurs t\u00e9moignages, une trace de leur passage. A l’\u00e9poque John […]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[117,241],"class_list":["post-4041","post","type-post","status-publish","format-standard","hentry","category-festival-de-cannes-cinemas-et-culture","tag-festival-de-cannes","tag-sociologie"],"yoast_head":"\nCANNES 2012. 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